Rants of a professional drummer and recording engineer.
I just converted a session from ProTools to Cubase. I had to convert the files from 24-bit (ProTools) to 32-bit (Cubase). Seems odd I’d have to “upgrade” my audio files to go from an insanely expensive and industry standard system costing thousands of bucks, in order to work with a program that retails for $799.
Do you have any idea how much of a headroom difference there is between 24-bit and 32-bit recording? It’s huge.
Steinberg’s Cubase and Nuendo can record 32-bit and they cost from $199-$2,000.
ProTools maxes out at 24-bit and can cost tens of thousands of $$$.
Reason #6 ProTools sucks? The cost per bit!
You must be logged in to post a comment.
[powered by WordPress.]
| S | M | T | W | T | F | S |
|---|---|---|---|---|---|---|
| « Apr | Jun » | |||||
| 1 | 2 | 3 | ||||
| 4 | 5 | 6 | 7 | 8 | 9 | 10 |
| 11 | 12 | 13 | 14 | 15 | 16 | 17 |
| 18 | 19 | 20 | 21 | 22 | 23 | 24 |
| 25 | 26 | 27 | 28 | 29 | 30 | 31 |

I'm a professional drummer, sound engineer and golf freak. Some thoughts that leak out of my cranium end up here. Some material here may not be suitable for children or idiots who don't have a sense of humor.
30 queries. 0.209 seconds